Archive for the bela lugosi Category

The entire history of Horror cinema in one go

Posted in b movies, bela lugosi, drive in horror, frankenstein, HORROR MOVIES, killer b's, STEPHEN KING, the creature, universal creature features on 05/16/2011 by vincentstark

No other site would even attempt it, no else would be so bold, but here at Scary Motherfucker we are not known for a lack of boldness, nor common sense, and so in one post, a few minutes reading, we will present the entire history of horror cinema in one go.

Readers with weak nerves are asked to leave this site now.

You have

been

warned!

Horror has been around since the dawn of cinema – in 1910 the Edison Company produced an unofficial version of Frankenstein called Der Golem. Der Golem like Baron Frankenstein was concerned with the creation of life . Shit let’s call a spade a spade, it was actually a copyright avoiding version of the Frankenstein story.  Nosferatu (1922) used the vampire mythos, borrowing from Stoker’s Dracula, and is perhaps one of the best remembered silent horror movies.

However it was the coming of sound that brought in the Golden Age of horror films. King Kong in 1933 showed what could now be done with the wonders of the motion picture camera. The 30’s and 40’s were indeed a special period with Universal’s mostly excellent series of creature features, as well as countless cheap and cheerful drive-in shockers, keeping fright fans happy. There are several all time classics among the many films Universal produced, Dracula, Bride of Frankenstein, The Mummy, The Wolfman to name but three.

The 50’s was the age of paranoia and horror cinema reflected this – creatures were no longer spawned by the occult but by this new terror called radiation, and the Communist threat came not from Russia, but from outer space.  British studio Hammer did however continue to make money with the likes of Dracula, Frankenstein and other monsters of the golden period. Interestingly Hammer also produced sci-fi/horror hybrids with the Quatermas films being among them.

The 60’s was a far more cynical time in terms of horror – Hitchcock gave us environmental horror with the Birds, Rosemary’s Baby brought the supernatural into the real world. Roger Corman was the king of the low budget horror flick and produced a string of Poe adoptions usually with Vincent Price. British shockers, Hammer were at this time in their most inventive period and 1966’s Plague of the Zombies is a classic. It was during the early part of this decade that the blueprint of the slasher movie was set down with Hitchcock’s Psycho. Another notable film of the decade was Romero’s Night of the Living Dead – a low budget masterpiece that defined cinema zombies.

The 70′ s saw taste go out of the window and demons come back into the room. The Exorcist heralded a slew of demonic films – The Omen being only one in a series of movies based on the concept of the Antichrist. Speilberg took horror to the seaside and invented the event movie with Jaws. The Texas Chainsaw Massacre (1974) brought in a new wave of violent horror. And the Italians were reinventing the horror movie, as they had previously with the western, and selling it back to us. At the tale end of the decade John Carpenter gave us the classic  Halloween – surely the best of the modern slasher movies. The decade was also notable for birth of the Stephen King movie with Carrie which was a massive success and ever since movie makers have not been able to leave Stephen King books alone. Indeed Stephen King is now the horror author with the most films made from his work.

The 80’s was a period of technical highs and repetition – many classics came from this period – Evil Dead, The Thing, The Elm Street Series. There were more serial killers at work in the cinema during this period than ever before and horror film sequels became the order of the day. The decade also saw big name directors such as Steven Speilberg and John Landis working in the genre. The 80’s also saw the rise of the home video market and the video nasty scare – that’s something for a future article.

The 90’s – post-modern time, folks.
Scream parodied everything else and then itself. Seven dressed itself up in class so as not to appear like a horror film. Frankenstein and Dracula became respectable in the hands of Francis Ford Coppola and Kenneth Branagh – shit De’niro even took over the old Karloff (Karloff was better, though.) role and Gary Oldman made a cool Dracula but again Christopher Lee was better. Silence of the Lambs dominated the box office and although not marketed as a horror movie it was certainly structured  like one.

The 00’s brought us more remakes, some good, some bad and a fair few classics – The Orphanage was astounding, as was The Ring. And the Blair Witch Project told its story in a minimalist fashion  and scooped the big bucks as a reward. There was also gentle horror with The Six Sense but Saw brought back the gore by the bucket. The decade also saw some inventive and original twists on the zombies on the rampage genre – 28 Days Later took it all seriously and gave us hyped up zombies, while Shaun of the Dead gave us one of the most entertaining brain munching films ever.

And that’s it folks – with more than a million omissions, the entire history of horror cinema. There’s no telling what the future will bring for the genre but one thing is certain – there will always be horror movie….

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The Icons – Bela Lugosi

Posted in b movies, bela lugosi, drive in horror, HORROR MOVIES on 05/15/2011 by vincentstark

When Dracula came to England

‘Mr Lugosi, is it true you suck blood oranges?’ one reporter asked.

‘All the time. I often eat six at a time.’ replied Lugosi with  a mischievous grin.

‘And raw steaks?’ the reporter continued.

‘When I can get them,’ Lugosi laughed.

The time was 10 April 1951 and Bela Lugosi was visiting England with his fourth wife, Lillian.

‘I was born in Translavania where the Dracula myth came from,’ Lugosi told reporters. ‘Though I never went down into our cellar. It was full of bats.’ Lugosi also revealed the he played football, as goalkeeper for the Translavania team.

Everywhere Lugosi went he was mobbed by both fans and the press – this surprised the actor who had not been a big name for over a decade, and he gave many interviews and posed for countless photographs. Whenever Lugosi signed autographs he would use his own special pen which contained blood red ink.

Privately Lugosi cursed his success as Dracula, claiming that the role had limited him, but in public he lived up to the image, often dressing as the Count when he went out and about. The Brighton Newspaper at the time carried an amusing story of how one man was terrified when he saw Dracula walking towards him after emerging from a public house one night.

‘I left my country in 1920 and have never gone back. I could not live under a dictatorship. I am an American citizen now.’ Bela Lugosi

‘Horror is my business – it pays off best. But I am tired of gore and I hope that over here I will find an intelligent producer who will think, let’s give Lugosi a comedy.’ Bela Lugosi

‘I do not scare the children. They known I am a pussy cat at heart.’ Bela Lugosi

The main reason for the trip to England was because of the stage play, Dracula – the first performance was on 16th June 1951 at the Royal Theatre in Brighton.

The play was not a great success and closed after a limited run.

Lugosi died in 1956 with his best days now long behind him. He was buried in the cape he wore in his most celebrated movie.